Best Lenses for Sony A6400

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Stable, fast, versatile, and compact, the new Sony a6400 mirrorless camera boasts the world’ s fastest AF acquisition of 0.02 secs, Real-time Attention AF and Real-time Tracking capabilities, high-rate shooting up to 11 fps and silent shooting up to 8 fps, both with AF/AE tracking, an upgraded BIONZ X image processing engine, an LCD touchscreen that tilts 180° up and 74° down, UHD 4K movie recording with full pixel readout and no pixel binning, internal recording for time-lapse movies, and more.

Simply put, the Sony a6400 is well-suited for both image and video creators, ranging from professionals to vloggers. So, to get a professional-like shot, the next thing is to find the best lenses for Sony a6400.

Here are our top recommended lenses for Sony a6400 based on high image quality, good price and usefulness, including leading prime and zoom options from wide-angle to telephoto. You can choose the one you need.

Best Lenses for Sony a6400

If you just want to cut to the chase, here are some quick recommendations.

    1. Best Vlogging Lens: Sony 10-18mm f/4 OSS
    2. Best All-In-One Lens: Sony 18-200mm f/3.5-6.3 OSS LE
    3. Best Wide-Angle Zoom Lens: Sony 10-18mm f/4 OSS
    4. Best Wide-Angle Prime Lens: Sigma 16mm f/1.4 DC DN
    5. Best Portrait Lens: Sony 50mm f/1.8 OSS
    6. Best Macro Lens: Sony FE 90mm f/2.8 Macro G OSS
    7. Best Standard Zoom Lens: Sony Zeiss 16-70mm f/4
    8. Best Sports and Wildlife Lens: Sony FE 70-200mm f/4 G OSS

Best Vlogging Lenses for Sony a6400

1. Sony 10-18mm f/4 OSS

Sale 6%
Sony - E 10-18mm F4 OSS Wide-angle Zoom Lens (SEL1018),Black
  • Angle of View (APS-C) - 109 ° – 76 °
  • Minimum focal length of 10 mm (15 mm in 35 mm-camera equivalency)
  • Minimum Focus Distance : 0.82 ft (0.25 m), Maximum Magnification ratio : 0.1x
  • Superbly detailed images;Aperture Maximum: f/4 ; Minimum: f/22. 35mm equivalent focal-length (APS-C) : 15-27mm
  • In-the-box:Hood (ALC-SH123), Lens front cap, Lens rear cap

2. Sony E 18-135mm f/3.5-5.6 OSS

Sale 15%
Sony 18-135mm F3.5-5.6 OSS APS-C E-mount Zoom Lens
  • 7.5x high magnification zoom/ 27-202.5mm (35mm equiv.) focal length. Lens Groups / Elements : 12-16
  • Outstanding sharpness from 1x aspherical and 2x ED glass elements
  • 7-blade circular aperture contributes to beautiful bokeh. Hood Type:Petal shape, bayonet type. Minimum focus distance- 0.45 m (1.48 feet)
  • Optical SteadyShot image stabilization for sharper stills and video
  • Fast, precise, quiet AF for high-speed stills and impressive video

3. Sony E PZ 18-105mm f/4 G OSS

Sony SELP18105G E PZ 18-105mm F4 G OSS
  • High performance E mount lens with excellent contrast; Minimum Aperture (F): 22
  • Minimum Focus Distance : 1.48 (Wide) 3.12 ft (Tele), Maximum Magnification ratio : 0.11x, Focal Length : 18 105 mm
  • Versatile 27 158mm (35mm equiv.) zoom range. Angle of view (APS C): 76° 15°. Number of aperture blades are 7
  • Constant F4 maximum aperture throughout the zoom range. Filter diameter (mm):72 mm
  • It is recommended that you use a lens hood to reduce flare and ensure maximum image quality.Focal Length (mm) 11/16 4 1/8 35 mm equivalent focal length (APS C) 1 1/16 6 3/16 inches

4. Rode VideoMic Pro

Rode VideoMicPro Compact Directional On-Camera Microphone with Rycote Lyre Shockmount
  • ENSURE YOU BUY GENIUNE RØDE PRODUCTS. Products from sellers which say ‘fulfilled by Amazon’ under the price are NOT authorized resellers, and may not be selling genuine product.
  • A true shotgun microphone designed for camcorders, DSLR cameras and portable audio recorders as primary and reference audio
  • The 1/2" condenser capsule provides broadcast-quality audio via a 3.5mm connector with an incredibly low self-noise of just 14db
  • The Rycote Lyre based shock mounting system provides isolation from external factors that may cause unwanted rumble and vibrations

5. Manfrotto PIXI Mini Tripod

Sale 19%
Manfrotto PIXI Mini Tripod, Black (MTPIXI-B)
  • Mini tripod for Compact System Cameras
  • Comfortable handgrip to capture great videos
  • Push button locking mechanism for easy setup
  • Lightweight, intuitive to use and easy to carry
  • Attractive Italian design

6. SanDisk Extreme PRO 128G UHS-I (V30, U3)

SanDisk 128GB Extreme PRO SDXC UHS-I Card (SDSDXXG-128G-GN4IN)
  • Ideal for professionals looking to maximize post-production workflow
  • Read speeds of up to 95MB/s; write speeds of up to 90MB/s
  • UHS speed Class 3 (U3) and UHS video speed Class 30 (V30) for 4K UHD video
  • Shock-proof, temperature-proof, waterproof, and x-ray-proof
  • Lifetime limited Warranty

Best All-In-One Lenses for Sony A6400

7. Sony 18-200mm f/3.5-6.3 OSS LE

Sony 18-200mm F3.5-6.3 E-Mount Lens SEL18200LE
  • High-magnification zoom with image stabilization
  • Minimum focus distance0.3 (Wide)–0.5 m (Tele) (0.99 [Wide])–1.64 ft [Tele]);Maximum 0.35 x, Focal Length : 18-200 mm
  • 18 mm wide-angle to 200 mm telephoto assures coverage to capture any scene
  • Optical image stabilization expands hand-held shooting options

8. Sony PZ 18-200mm f/3.5-6.3 OSS

Sony SELP-18200 E-Mount 11x Zoom Lens
  • optimized for movie recording performance
  • versatile shooting with 18mm-200mm zoom range
  • optical SteadyShot image stabilization

Best Portrait Prime Lenses for Sony A6400

9. Sony 50mm f/1.8 OSS

Sony 50mm f/1.8 Mid-Range Lens for Sony E Mount Nex Cameras
  • Fixed 50mm mid-range telephoto focal length (35mm format equivalent: 75mm)
  • Minimum Focus Distance : 1.28 ft (0.39 m), Maximum Magnification ratio : 0.16x, Focal-Length : 50 mm
  • Built-in Optical SteadyShot image stabilization
  • Large F1.8 maximum aperture enables beautiful defocusing effects
  • Lens not Zoomable

10. Sony 35mm f/1.8 OSS

Sale 11%
Sony SEL35F18 35mm f/1.8 Prime Fixed Lens
  • Compact, lightweight fixed F1.8 lens.Angle of View (APS C) 44 °
  • Minimum Focus Distance : 0.99 ft (0.3 m), Maximum Magnification ratio : 0.15x, Focal Length : 1.38 in
  • New optical design for excellent peripheral sharpness and contrast, Built in image stabilization
  • Silent and smooth high speed focusing ideal for shooting movies. Superb focusing operation
  • Lens group or elements is 6/8. If auto focus cant lock on or focuses on the wrong subject, step in and take total control with direct manual focus.Image stabilization (SteadyShot):Optical SteadyShot

11. Sigma 60mm f/2.8 DN

Sigma 60mm F2.8 EX DN Art (Black) for Sony SE
  • Minimum focusing distance of 50CM
  • Maximum Focusing magnification ratio of 1:7.2
  • Excellent for taking shots with a pinpoint focus on a subject.
  • Fast and large apertures lens for mirror less camera systems
  • Choice of silver or black finish.

12. Sony Zeiss FE 55mm f/1.8 Sonnar T*

Sony 55mm F1.8 Sonnar T FE ZA Full Frame Prime Lens - Fixed
  • Diaphragm Blades 9, Rounded. Lens Groups / Elements is 5/7
  • Focal Length: 55mm, Filter Diameter: 49mm
  • Minimum Focus Distance: 19-11/16 inches (.50m)
  • Lens Type: Fixed, E-mount Full Frame, Lens not zoomable
  • Aperture (Min/Max): 22/1.8; Angle of View (35 mm): 43 °

13. Sony FE 50mm f/1.8

Sale 25%
Sony - FE 50mm F1.8 Standard Lens (SEL50F18F), Black
  • Large F1.8 maximum aperture enables beautiful defocusing effects, 7-blade circular aperture creates beautiful defocused bokeh
  • Compact, lightweight design ideal for full-frame E-mount cameras, Aspherical element controls spherical aberration and coma
  • Double-gauss configuration suppresses field curvature & distortion, Metal mount adds solid durability as well as a sophisticated feel, Fast DC motor focus actuator system drives all lens groups
  • 75mm (35mm equivalent) focal length with APS-C sensor. Angle of View (APS-C) : 32 degree
  • In-the-box: Hood (ALC-SH146), Lens front cap (ALC-F49S), Lens rear cap (ALC-R1EM)

Best Macro Lenses for Sony A6400

14. Sony FE 90mm f/2.8 Macro G OSS Lens

Sony SEL90M28G FE 90mm f/2.8-22 Macro G OSS Standard-Prime Lens for Mirrorless Cameras,Black
  • A perfect match for α7 series, 35mm full-frame E-mount cameras, 90mm Macro with a bright F2.8 maximum aperture, Nano AR coating effectively suppress reflections, Dust and moisture resistant design
  • Minimum Focus Distance : 0.92 ft (0.28 m), Maximum Magnification ratio : 1.0x, Focal Length : 90 mm. The angle of view is 27 degree (35 mm) and 17 degree (APS-C)
  • Optical Steady Shot image stabilization for handheld shooting, Instant manual/auto focus selection via a sliding focus ring, Instant manual/auto focus selection via a sliding focus ring
  • Corner to corner sharpness w/ Advanced Spherical elements, Super ED glass w/ multi‐coating reduces flare and ghosting, 9-blade circular aperture contributes to gorgeous bokeh
  • Direct Drive SSM (DDSSM) for quiet, precise focusing; Weight: 602 g (21.3 oz)

15. Sony FE 50mm f/2.8 Macro Lens

Sony SEL50M28 FE 50mm F2.8 Full Frame E-mount Lens (Black)
  • Full-frame 50mm macro lens with 1:1 magnification, F2.8 max. aperture for low-light and shallow depth of field, Get close with 6.25” (0.16m) minimum focusing distance
  • ED glass effectively compensates for axial chromatic aberration, Robust and reliable dust and moisture resistant design, Focus-mode switch, focus-range limiter and focus-hold button
  • Distance scale, Magnification scale and Distance index, Compact (2.78”) and lightweight (8.3 oz.) for high mobility, Great for scenery and portraits as well as macro shots
  • 7-blade circular aperture design produce beautiful bokeh. Angle of View (0.11 feet) : 47 degree
  • Minimum Focus Distance: 6.3 inches. Filter Thread Front: 55 mm

16. Sony 30mm f/3.5 Macro E Lens

Sony SEL30M35 30mm f/3.5 e-mount Macro Fixed Lens
  • Lens not Zoomable
  • Exceptionally portable and versatile for everyday use
  • Minimum working distance of only 9.75cm with 1:1 magnification
  • Simple, compact 6-group 7-element lens
  • Internal stepping motor and Rear-focusing design for video capture

17. Zeiss Touit 50mm f/2.8 Macro

Zeiss Touit 2.8/50M Macro Camera Lens for Sony E-Mount Mirrorless Cameras, Black
  • ZEISS T ANTI-REFLECTIVE COATING: The optical elements of ZEISS lenses feature T anti-reflective coating on all surfaces and an optical design that guarantees images of superior brilliance at all times, even in unfavourable lighting conditions.
  • EXCELLENT RESOLUTION AND HIGH CONTRAST: Richly saturated and vivid colours are a must in the creation of lasting impressions. However, stray light within an optical system leads to a lightening of the image that is particularly noticeable in the shadows. This reduces image contrast, with the result that exposures lack contrast and appear faded. To avoid this, ZEISS combines various specially developed technologies to reduce the undesirable effects of stray light.
  • ASPHERICAL DESIGN: The asperical lens design ensures consistent imaging performance throughout he entirefocusing range as well as shapness to the periphery of the image. The asphere's morecomplex surface profile can reduce or eliminatespherical aberration and also reduce other optical aberrations compared to a simple lens.
  • SMOOTH AND RELIABLE AUTOFOCUS: The design of the autofocus system requires an extremely accurate shifting of particular lens groups. The focusing system of ZEISS lenses is designed to ensure a robust and smooth-running autofocus mechanism with the best imaging performance.
  • FLOATING ELEMENTS DESIGN: Today's camera technologies and high-resolution sensors demand continuous improvement of lens performance. Thanks to the use of the latest floating element design principles, optical aberration effects in ZEISS lenses are reduced to a minimum throughout their entire focusing range.

18. Sigma 70mm f/2.8 DG Macro Art

Sale 6%
Sigma 271965 70mm F2.8 Art DG Macro for Sony E, Black
  • First true 1: 1 macro art lens with stunning resolution and clarity
  • Focus-by-wire system for comfortable and precise focusing
  • Compatible with Sony E-mount cameras with full-frame sensors
  • Compatible with Canon lens aberration correction

Best Telephoto Zoom Lenses for Sony A6400

19. Sony FE 70-200mm f/4 G OSS

Sony FE 70-200mm F4 G OSS Interchangeable Lens for Sony Alpha Cameras
  • Brand is Sony
  • Minimum focus distance:1–1.5 m (AF)/1–1.35 m (MF) (3.28–4.93 ft [AF]/3.28–4.43 ft [MF]), Maximum Magnification ratio : 0.13x, Focal-Length : 70–200 mm
  • Interchangeable Lens
  • SEL70200G

20. Sony FE 70-300mm f/4.5-5.6 G OSS

Sale 8%
Sony FE 70-300mm SEL70300G F4.5-5.6 G OSS Lens
  • Full-frame 70-300mm G Series F45-56 G Telephoto zoom, Nano AR Coating with Nano-precision structure, Optical SteadyShot for clear images even at full telephoto
  • 35 mm full-frame.9-blade circular aperture for smooth defocus background bokeh, 2x Extra-Low Dispersion (ED) glass elements reduces aberration, 4x Aspherical elements control spherical aberration and coma
  • Linear actuator achieves fast, smooth, quiet autofocus, Enhanced operability w/ direct control switches and buttons on lens, 105-450mm (35mm equivalent) w/ APS-C format cameras
  • Class-leading close-up focusing capability less than 3’. Mount type: Sony E-mount

21. Sony 55-210mm f/4.5-6.3 OSS

Sony E 55-210mm F4.5-6.3 Lens for Sony E-Mount Cameras (Black)
  • Wide zoom range (82 - 315mm 35mm equivalent) ideal for sports or nature;Aperture blades : 7
  • Internal focusing for smooth, quiet operation - perfect for video capture.Direct manual focus with non-rotating focus ring during AF: ideal for precise, comfortable manual focus adjustments
  • Optical Steady Shot image stabilization for stable video capture and low light performance
  • Minimum Focus Distance - 3.28 ft, Maximum Magnification ratio - 0.23x
  • Angle of view (on APS-C)-29 °–7 ° 40'

Best Wide-Angle Zoom Lens for Sony A6400

22. Sony 10-18mm f/4 OSS Lens

Sale 6%
Sony - E 10-18mm F4 OSS Wide-angle Zoom Lens (SEL1018),Black
  • Angle of View (APS-C) - 109 ° – 76 °
  • Minimum focal length of 10 mm (15 mm in 35 mm-camera equivalency)
  • Minimum Focus Distance : 0.82 ft (0.25 m), Maximum Magnification ratio : 0.1x
  • Superbly detailed images;Aperture Maximum: f/4 ; Minimum: f/22. 35mm equivalent focal-length (APS-C) : 15-27mm
  • In-the-box:Hood (ALC-SH123), Lens front cap, Lens rear cap

23. Sony Zeiss Vario-Tessar T* FE 16-35mm f/4 ZA OSS

Sale 19%
Sony 16-35mm Vario-Tessar T FE F4 ZA OSS E-Mount Lens
  • Ideal for landscapes and the a7 series of full frame cameras, ZEISS T (T star) coating to reduce flare and ghosting
  • Minimum Focus Distance : 0.92 ft (0.28 m), Maximum Magnification ratio : 0.19x, Focal-Length : 5/8 - 1-3/8 Inches
  • Three ED glass elements to suppress chromatic distortion, constant F4 maximum aperture throughout the zoom range
  • Built-in Optical Steady Shot image stabilization, dust and moisture resistant design
  • Angle of View (35 mm)107°-63° Angle of View (APS-C) 83°-44°. Weight- 18.3 ounce.Optical Design : 12 Elements in 10 Groups

Best Wide-Angle Prime Lenses for Sony A6400

24. Zeiss Touit 12mm f/2.8 Lens

ZEISS Touit 2.8/12 for mirrorless APS-C System Cameras from Sony (with E-Mount), Black
  • ZEISS T ANTI-REFLECTIVE COATING: The optical elements of ZEISS lenses feature T anti-reflective coating on all surfaces and an optical design that guarantees images of superior brilliance at all times, even in unfavourable lighting conditions.
  • EXCELLENT RESOLUTION AND HIGH CONTRAST: Richly saturated and vivid colours are a must in the creation of lasting impressions. However, stray light within an optical system leads to a lightening of the image that is particularly noticeable in the shadows. This reduces image contrast, with the result that exposures lack contrast and appear faded. To avoid this, ZEISS combines various specially developed technologies to reduce the undesirable effects of stray light.
  • ASPHERICAL DESIGN: The asperical lens design ensures consistent imaging performance throughout he entirefocusing range as well as shapness to the periphery of the image. The asphere's morecomplex surface profile can reduce or eliminatespherical aberration and also reduce other optical aberrations compared to a simple lens.
  • SMOOTH AND RELIABLE AUTOFOCUS: The design of the autofocus system requires an extremely accurate shifting of particular lens groups. The focusing system of ZEISS lenses is designed to ensure a robust and smooth-running autofocus mechanism with the best imaging performance.
  • FLOATING ELEMENTS DESIGN: Today's camera technologies and high-resolution sensors demand continuous improvement of lens performance. Thanks to the use of the latest floating element design principles, optical aberration effects in ZEISS lenses are reduced to a minimum throughout their entire focusing range.

25. Sigma 19mm f/2.8 DN Lens

Sale 25%
Sigma 19mm f/2.8 DN Lens for Sony NEX E-mount Cameras (Black)
  • Three glass mold aspherical lenses provide excellent correction for distortion, color aberration and field curvature
  • Super Multi-Layer Coating reduces flare and ghosting and provides sharp and high contrast images even at the maximum aperture
  • The superior telecentric optical design improves image quality throughout the frame
  • Lens not zoomable

26. Zeiss Batis 18mm f/2.8

Zeiss Batis 2.8/18 Wide-Angle Lens for E-Mount, Black
  • VERSATILE FULL-FRAME LENS: The powerful lens for the mirrorless full-frame system of Sony fulfills the highest requirements. Despite its compact design, the image meets the expectations of professional photographers.
  • EXCELLENT RESOLUTION AND HIGH CONTRAST: Richly saturated and vivid colours are a must in the creation of lasting impressions. However, stray light within an optical system leads to a lightening of the image that is particularly noticeable in the shadows. This reduces image contrast, with the result that exposures lack contrast and appear faded. To avoid this, ZEISS combines various specially developed technologies to reduce the undesirable effects of stray light.
  • ROBUST AND WEATHERPROOF METAL CONSTRUCTION: Thanks to features that are designed to keep out dust and spray water, the lens is perfectly suited for critical outdoor conditions. It is also designed for many years of intensive use.
  • INNOVATIVE OLED DISPLAY: For the first time, you can accurately read the focus distance and depth of field simply and intuitively on the OLED display on the lens. Especially in poor light conditions - excellent readability is always guaranteed.
  • SMOOTH AND RELIABLE AUTOFOCUS: The design of the autofocus system requires an extremely accurate shifting of particular lens groups. The focusing system of ZEISS lenses is designed to ensure a robust and smooth-running autofocus mechanism with the best imaging performance.

27. Rokinon 14mm f/2.8 ED AS IF UMC

Rokinon FE14M-E 14mm F2.8 Ultra Wide Lens for Sony E-mount and Fixed Lens for Other Cameras
  • Ultra-wide angle of view on both full frame and APS-C cameras.Lens has a minimum focusing distance of 0.9' (28 cm) for enhanced close-up shots.
  • Excellent construction and superior build quality for razor sharp images. Sagittal lines (thick lines) represent the contrast
  • Features built-in petal type hood, Focal Length :14mm
  • Lens has a minimum focusing distance of 0.9' (28 cm) for enhanced close-up shots, Lens not zoomable. No autofocus.
  • Super multi-layer coating to reduce flares and ghost images

28. Sony Carl Zeiss 24mm F/1.8

Sale 9%
Sony Carl Zeiss Sonnar T E 24mm F1.8 ZA E-mount Prime Lens
  • Employs the legendary "Sonnar" optical design for standout image dimensionality and presence
  • Seven aperture blades form a near circle, which results in a pleasing defocused effect on the background of your image when the aperture is set wide open
  • Allows for 1/4 macro shooting with accurate focus as close as 6.2 inches (16cm)
  • Direct Manual Focus (DMF) allows for direct manual focusing after autofocus lock-on without having to switch modes
  • Lens operation is fast but at the same time smooth and quiet, minimizing noise and image jitter when shooting movies

29. Sigma 16mm f/1.4 DC DN

Sigma 16mm f/1.4 DC DN Contemporary Lens for Sony E (402965)
  • Compatible with Sony E mount cameras
  • Perfect for nature & event photography
  • Large f/1.4 aperture for superb lowlight performance
  • Compact size makes it very portable
  • Fully accommodates Fast Hybrid AF

30. Laowa 9mm f/2.8 Zero-D

Laowa 9mm f/2.8 Zero-D SLR Ultra-Wide Lens (SLR, 15/10, Ultra Wide Lens, Sony E, Sony, Black)
  • Laowa 9mm f/2.8 Zero-D. component for: SLR.
  • Lens structure (elements / groups): 15/10.
  • Lens type: Ultra-wide lens. Compatible camera brands: Sony. Product colour: Black. Diameter: 5cm.
  • Filter size: 4.9 cm.
  • Product length: 6 cm

31. Rokinon 12mm f/2.0 NCS CS

Sale 6%
Rokinon 12mm F2.0 NCS CS Ultra Wide Angle Lens Sony E-Mount (NEX) (Black) (RK12M-E)
  • Sagittal lines (thick lines) represent the contrast
  • This lens is compatible with all APS-C Sony E Mount interchangeable lens cameras
  • Nano Crystal Coating System (NCS) for increased light transmission and reduced internal reflections
  • Aperture range f2.0-22, Ultra Wide 12mm Fixed Focal Length, minimum focusing distance of 7.9 inches
  • Optimized for excellent optical quality and true ultra-wide 110 degree edge to edge coverage with APS-C sensor digital cameras

Best Standard Zoom Lenses for Sony A6400

32. Sony Vario-Tessar T* E 16-70mm f/4 ZA OSS

Sale 5%
Sony SEL1670Z Vario-Tessar T E 16-70mm F4 ZA OSS
  • Carl Zeiss mid-range zoom lens; Compatible with E-mount Full Frame cameras and E-mount APS-C cameras
  • Minimum Focus Distance : 1.15 ft (0.35 m), Maximum Magnification ratio : 0.23x, Focal Length : 16-70 mm
  • High lens technology in a compact body. Filter Diameter (mm) - 55 mm
  • Optical Steady Shot image stabilization. Zeiss T anti-reflective coating
  • When using a flash, always remove the lens hood and shoot at least 1 m (3.3 feet) away from your subject.Angle of View (APS-C):83°-23°

33. Sony E PZ 18-105mm f/4 G OSS

Sony SELP18105G E PZ 18-105mm F4 G OSS
  • High performance E mount lens with excellent contrast; Minimum Aperture (F): 22
  • Minimum Focus Distance : 1.48 (Wide) 3.12 ft (Tele), Maximum Magnification ratio : 0.11x, Focal Length : 18 105 mm
  • Versatile 27 158mm (35mm equiv.) zoom range. Angle of view (APS C): 76° 15°. Number of aperture blades are 7
  • Constant F4 maximum aperture throughout the zoom range. Filter diameter (mm):72 mm
  • It is recommended that you use a lens hood to reduce flare and ensure maximum image quality.Focal Length (mm) 11/16 4 1/8 35 mm equivalent focal length (APS C) 1 1/16 6 3/16 inches

34. Sony 16-50mm f/3.5-5.6 OSS

Sony SELP1650 16-50mm Power Zoom Lens
  • POWER ZOOM for smooth zooming with superb operability and quietness
  • ED glass and Aspherical lens elements for excellent performance with reduced aberrations
  • Built-in image stabilization
  • This lens is designed for Sony α camera system E-mount cameras. You cannot use it on A-mount cameras
  • Minimum focus distance - 0.25–0.3 m (0.82-1 ft)

Best Sports and Wildlife Lenses for Sony a6400

35. Sony FE 70-200mm f/4 G OSS

Sony FE 70-200mm F4 G OSS Interchangeable Lens for Sony Alpha Cameras
  • Brand is Sony
  • Minimum focus distance:1–1.5 m (AF)/1–1.35 m (MF) (3.28–4.93 ft [AF]/3.28–4.43 ft [MF]), Maximum Magnification ratio : 0.13x, Focal-Length : 70–200 mm
  • Interchangeable Lens
  • SEL70200G

36. Sony FE 70-300mm f/4.5-5.6 G OSS

Sale 8%
Sony FE 70-300mm SEL70300G F4.5-5.6 G OSS Lens
  • Full-frame 70-300mm G Series F45-56 G Telephoto zoom, Nano AR Coating with Nano-precision structure, Optical SteadyShot for clear images even at full telephoto
  • 35 mm full-frame.9-blade circular aperture for smooth defocus background bokeh, 2x Extra-Low Dispersion (ED) glass elements reduces aberration, 4x Aspherical elements control spherical aberration and coma
  • Linear actuator achieves fast, smooth, quiet autofocus, Enhanced operability w/ direct control switches and buttons on lens, 105-450mm (35mm equivalent) w/ APS-C format cameras
  • Class-leading close-up focusing capability less than 3’. Mount type: Sony E-mount

37. Sony 55-210mm f/4.5-6.3 OSS

Sony E 55-210mm F4.5-6.3 Lens for Sony E-Mount Cameras (Black)
  • Wide zoom range (82 - 315mm 35mm equivalent) ideal for sports or nature;Aperture blades : 7
  • Internal focusing for smooth, quiet operation - perfect for video capture.Direct manual focus with non-rotating focus ring during AF: ideal for precise, comfortable manual focus adjustments
  • Optical Steady Shot image stabilization for stable video capture and low light performance
  • Minimum Focus Distance - 3.28 ft, Maximum Magnification ratio - 0.23x
  • Angle of view (on APS-C)-29 °–7 ° 40'

38. Sony FE 70-200mm f/2.8 GM OSS

Sony FE 70-200mm f/2.8 GM OSS Lens
  • G Master design combines extraordinary sharpness and smooth bokeh, Constant F2.8 max aperture maintains exposure and depth of field.Weight 1480 g (without tripod mount)
  • Class-leading min. focus distance of 37.8” / 0.25x max. mag, Dual floating focus system for high AF speed and precision, XA, ED/Super ED elements and Nano AR Coating for superb resolution
  • Aspherical elements & 11-blade circular aperture for gorgeous bokeh, Min. focus breathing and par focal design ideal for video, Direct coupled mechanical focus system for precise manual focus
  • Rigid construction with constant lens length during focusing and zooming, High performance Optical Steady Shot Image stabilization, Dust and moisture resistant for robust reliability
  • Nano AR coating suppress reflections, flare and ghosting, XA (extreme aspherical) element with 0.01 micron surface precision

39. Sony FE 100-400mm f/4.5-5.6 GM OSS

Sony FE 100-400mm F4.5–5.6 GM OSS
  • G Master design combines extraordinary sharpness and smooth bokeh
  • 35 mm full-frame.Double-linear and Direct Drive SSM for fast, quiet, precise focus
  • Optical SteadyShot image stabilization significantly reduces blur
  • Versatile min focus distance of 322’ / 035x max mag. Angle of View (APS-C):16 °-4 °10'2
  • 9-blade circular aperture contributes to gorgeous bokeh.Maximum Magnification ratio (x):0.35

40. Sony FE 1.4x Teleconverter

Sony FE 1.4x Teleconverter
  • 1.4x tele converter that maintains full G Master performance. Compatible lens- SEL70200GM, SEL100400GM. Mount: Sony E-mount
  • Impressive optical performance with aspherical lens element, Precision engineered for versatility and reliability
  • Dust and moisture resistant design for maximum reliability

41. Sony FE 2.0x Teleconverter

Sony FE 2.0x Teleconverter
  • 2.0x tele converter that maintains full G Master performance, Currently compatible with SEL70200GM, SEL100400GM, SEL400F28GM
  • Impressive optical performance with aspherical lens element, Precision engineered for versatility and reliability
  • Dust and moisture resistant design for maximum reliability
  • Lens Groups / Elements -5/8

You have most likely landed here because you are thinking about buying a Sony a6400, or perhaps you have already have it in your gear bag and are curious about the best lenses to buy next.

The Sony a6400 has an APS-C sized sensor and uses the Sony E-mount Lens system. This means that it’s compatible with any of Sony’s E-mount lenses or also third-party E-mount lenses like Sigma or Rokinon.

Although this guidebook is specifically for the Sony a6400, these lenses are also supported with all of Sony’s E-mount mirrorless APS-C cameras and also their full-body a7 / a9 mirrorless cameras when used in APS-C mode.

The Sony A6400 is a competitively priced camera with an interesting mix of capabilities. It has the trusted 24-megapixel APS-C sensor from Sony. The picture quality and the dynamic range of the sensor are excellent, even though it is not a BSI sensor like we find in full-frame digital cameras from Sony.

The A6400 has a new BIONZ X processor and a sensitivity of 100-32,000 ISO. The camera is fast, with a maximum of 11 images per second, and includes a timelapse option for very long and gradual series. The electronic viewfinder has a resolution of 2.36 megapixels. But the real highlights are the new autofocus system with 425 phase-detection AF points and Sony’s Real-Time Monitoring and the foldable, touch-sensitive rear screen.

The Real-Time Tracking ensures that you can follow moving subjects better than with other APS-C cameras from Sony. The machine is so good that, after the launch of the A6400, Sony also released it as a firmware upgrade for the Sony A7R III and the Sony A9.

The foldable screen means that you can also use the A6400 as a compact selfie-and vlog camera, something that was previously not possible with a Sony program camera with a viewfinder.

The A6400 trumps the camera above it on all these points. The only thing that the Sony A6500 can offer is built-in image stabilization. As a photographer or filmmaker, you can best estimate yourself which choices you prefer and which camera is best for you. If you combine the Sony A6400 with great lenses, you can assure yourself of high-quality pictures. Of all the lenses that we have tested, these are our favorites for the Sony A6400.

The new Sony A6400 is a mix between the A6300 and A6500. The 3 digital cameras are quite similar and share the majority of the specifications.

For starters, the A6400 offers improved autofocusing and better video options due to the swiveling LCD screen.

In this guidebook, we’re going to look at the greatest Sony lenses for the A6400 that cover all different types of photography.

Because the A6400 doesn’t have got built-in stabilization like the A6500, don’t forget to check if the lens you want provides OSS next to its name (stands for stabilization). The majority of our list does have it though.

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