The Sony a6500 camera is the new flagship APS-C E-mount mirrorless camera. It could look nearly the same as the a6300, but with 5-axis in-camera optical picture stabilization, a touch screen, and an improved processor chip. The Sony a6500 combines the world’s fastest AF acceleration and highest number of AF factors with in-camera 5-axis image stabilization, 4D Concentrate with 425 Phase-Detect Factors, 24.2MP APS-C Exmor CMOS Sensor, 3.0″ 921.6k-Dot Tilting Touch screen, Internal UHD 4K Video & S-Log3 Gamma and even more. It is amazing! So, to get a professional-like shot, the next phase is to get the best/correct lenses for Sony a6500. Right here we selected the best lenses for Sony A6500 camera. All of the recommended lenses for Sony A6500 would cover practically all shooting scenarios.
Below are the very best suggested lenses for Sony A6500 mirrorless camera. You can pick the one you need.
Best All-In-One Lenses for Sony A6500
1. Sony 18-200mm f/3.5-6.3 OSS LE
- High-magnification zoom with image stabilization
- Minimum focus distance0.3 (Wide)–0.5 m (Tele) (0.99 [Wide])–1.64 ft [Tele]);Maximum 0.35 x, Focal Length : 18-200 mm
- 18 mm wide-angle to 200 mm telephoto assures coverage to capture any scene
- Optical image stabilization expands hand-held shooting options
2. Sony PZ 18-200mm f/3.5-6.3 OSS
- optimized for movie recording performance
- versatile shooting with 18mm-200mm zoom range
- optical SteadyShot image stabilization
Best Portrait Prime Lenses for Sony A6500
3. Sony 50mm f/1.8 OSS
- Fixed 50mm mid-range telephoto focal length (35mm format equivalent: 75mm)
- Minimum Focus Distance : 1.28 ft (0.39 m), Maximum Magnification ratio : 0.16x, Focal-Length : 50 mm
- Built-in Optical SteadyShot image stabilization
- Large F1.8 maximum aperture enables beautiful defocusing effects
- Lens not Zoomable
4. Sony 35mm f/1.8 OSS
- Compact, lightweight fixed F1.8 lens.Angle of View (APS C) 44 °
- Minimum Focus Distance : 0.99 ft (0.3 m), Maximum Magnification ratio : 0.15x, Focal Length : 1.38 in
- New optical design for excellent peripheral sharpness and contrast, Built in image stabilization
- Silent and smooth high speed focusing ideal for shooting movies. Superb focusing operation
- Lens group or elements is 6/8. If auto focus cant lock on or focuses on the wrong subject, step in and take total control with direct manual focus.Image stabilization (SteadyShot):Optical SteadyShot
5. Sigma 60mm f/2.8 DN
- Minimum focusing distance of 50CM
- Maximum Focusing magnification ratio of 1:7.2
- Excellent for taking shots with a pinpoint focus on a subject.
- Fast and large apertures lens for mirror less camera systems
- Choice of silver or black finish.
6. Sony Zeiss FE 55mm f/1.8 Sonnar T*
- Diaphragm Blades 9, Rounded
- Focal Length: 55mm, Filter Diameter: 49mm
- Minimum Focus Distance: 19-11/16 inches (.50m)
- Lens Type: Fixed, E-mount Full Frame, Lens not zoomable
- Aperture (Min/Max): 22/1.8; Angle of View (35 mm): 43 °
7. Sony FE 50mm f/1.8
- Large F1.8 maximum aperture enables beautiful defocusing effects, 7-blade circular aperture creates beautiful defocused bokeh
- Compact, lightweight design ideal for full-frame E-mount cameras, Aspherical element controls spherical aberration and coma
- Double-gauss configuration suppresses field curvature & distortion, Metal mount adds solid durability as well as a sophisticated feel, Fast DC motor focus actuator system drives all lens groups
- 75mm (35mm equivalent) focal length with APS-C sensor. Angle of View (APS-C) : 32 degree
- In-the-box: Hood (ALC-SH146), Lens front cap (ALC-F49S), Lens rear cap (ALC-R1EM)
Best Macro Lenses for Sony A6500
8. Sony FE 90mm f/2.8 Macro G OSS Lens
- A perfect match for α7 series, 35mm full-frame E-mount cameras, 90mm Macro with a bright F2.8 maximum aperture, Nano AR coating effectively suppress reflections, Dust and moisture resistant design
- Minimum Focus Distance : 0.92 ft (0.28 m), Maximum Magnification ratio : 1.0x, Focal Length : 90 mm. The angle of view is 27 degree (35 mm) and 17 degree (APS-C)
- Optical Steady Shot image stabilization for handheld shooting, Instant manual/auto focus selection via a sliding focus ring, Instant manual/auto focus selection via a sliding focus ring
- Corner to corner sharpness w/ Advanced Spherical elements, Super ED glass w/ multi‐coating reduces flare and ghosting, 9-blade circular aperture contributes to gorgeous bokeh
- Direct Drive SSM (DDSSM) for quiet, precise focusing; Weight: 602 g (21.3 oz)
9. Sony FE 50mm f/2.8 Macro Lens
- Full-frame 50mm macro lens with 1:1 magnification, F2.8 max. aperture for low-light and shallow depth of field, Get close with 6.25” (0.16m) minimum focusing distance
- ED glass effectively compensates for axial chromatic aberration, Robust and reliable dust and moisture resistant design, Focus-mode switch, focus-range limiter and focus-hold button
- Distance scale, Magnification scale and Distance index, Compact (2.78”) and lightweight (8.3 oz.) for high mobility, Great for scenery and portraits as well as macro shots
- 7-blade circular aperture design produce beautiful bokeh. Angle of View (0.11 feet) : 47 degree
- Minimum Focus Distance: 6.3 inches. Filter Thread Front: 55 mm
10. Sony 30mm f/3.5 Macro E Lens
- Lens not Zoomable
- Exceptionally portable and versatile for everyday use
- Minimum working distance of only 9.75cm with 1:1 magnification
- Simple, compact 6-group 7-element lens
- Internal stepping motor and Rear-focusing design for video capture
11. Zeiss Touit 50mm f/2.8 Macro
- Front Lens Cap
- Rear Lens Cap
- Lens Hood
- Limited 2-Year Warranty
- German (Publication Language)
Best Telephoto Zoom Lenses for Sony A6500
12. Sony FE 70-200mm f/4 G OSS
- Brand is Sony
- Minimum focus distance:1–1.5 m (AF)/1–1.35 m (MF) (3.28–4.93 ft [AF]/3.28–4.43 ft [MF]), Maximum Magnification ratio : 0.13x, Focal-Length : 70–200 mm
- Interchangeable Lens
13. Sony FE 70-300mm f/4.5-5.6 G OSS
- Full-frame 70-300mm G Series F45-56 G Telephoto zoom, Nano AR Coating with Nano-precision structure, Optical SteadyShot for clear images even at full telephoto
- 35 mm full-frame.9-blade circular aperture for smooth defocus background bokeh, 2x Extra-Low Dispersion (ED) glass elements reduces aberration, 4x Aspherical elements control spherical aberration and coma
- Linear actuator achieves fast, smooth, quiet autofocus, Enhanced operability w/ direct control switches and buttons on lens, 105-450mm (35mm equivalent) w/ APS-C format cameras
- Class-leading close-up focusing capability less than 3’. Mount type: Sony E-mount
14. Sony 55-210mm f/4.5-6.3 OSS
- Wide zoom range (82 - 315mm 35mm equivalent) ideal for sports or nature;Aperture blades : 7
- Internal focusing for smooth, quiet operation - perfect for video capture.Direct manual focus with non-rotating focus ring during AF: ideal for precise, comfortable manual focus adjustments
- Optical Steady Shot image stabilization for stable video capture and low light performance
- Minimum Focus Distance - 3.28 ft, Maximum Magnification ratio - 0.23x
- Angle of view (on APS-C)-29 °–7 ° 40'
Best Wide-Angle Zoom Lens for Sony A6500
15. Sony 10-18mm f/4 OSS Lens
- Angle of View (APS-C) - 109 ° – 76 °
- Minimum focal length of 10 mm (15 mm in 35 mm-camera equivalency)
- Minimum Focus Distance : 0.82 ft (0.25 m), Maximum Magnification ratio : 0.1x
- Superbly detailed images;Aperture Maximum: f/4 ; Minimum: f/22. 35mm equivalent focal-length (APS-C) : 15-27mm
- In-the-box:Hood (ALC-SH123), Lens front cap, Lens rear cap
16. Sony Zeiss Vario-Tessar T* FE 16-35mm f/4 ZA OSS
- Ideal for landscapes and the a7 series of full frame cameras, ZEISS T (T star) coating to reduce flare and ghosting
- Minimum Focus Distance : 0.92 ft (0.28 m), Maximum Magnification ratio : 0.19x, Focal-Length : 5/8 - 1-3/8 Inches
- Three ED glass elements to suppress chromatic distortion, constant F4 maximum aperture throughout the zoom range
- Built-in Optical Steady Shot image stabilization, dust and moisture resistant design
- Angle of View (35 mm)107°-63° Angle of View (APS-C) 83°-44°. Weight- 18.3 ounce.Optical Design : 12 Elements in 10 Groups
Best Wide-Angle Prime Lenses for Sony A6500
17. Zeiss Touit 12mm f/2.8 Lens
- Innovative product design: The unmistakeable product design is based on an integrative concept and focuses on essential functional elements. Even the lens hood, typically an accessory, is seamlessly integrated into the overall design.
- Aspherical design: The aspherical lens design ensures consistent imaging performance throughout theentire focusing range as well as sharpness to the periphery of the image. The asphere's more complex surface profile can reduce or eliminate spherical
- Floating Elements Design: Thanks to the use of the latest floating element design principles, optical aberration effects in ZEISS lenses are reduced to a minimum throughout their entire focusing range.
- Excellent resolution and high contrast:
- Carl Zeiss T* anti-reflective coating: The optical elements of ZEISS lenses feature T* anti-reflective coating on all surfaces and an optical design that guarantees images of superior brilliance at all times, even in unfavourable lighting conditions.
18. Sigma 19mm f/2.8 DN Lens
- Three glass mold aspherical lenses provide excellent correction for distortion, color aberration and field curvature
- Super Multi-Layer Coating reduces flare and ghosting and provides sharp and high contrast images even at the maximum aperture
- The superior telecentric optical design improves image quality throughout the frame
- Lens not zoomable
19. Zeiss Batis 18mm f/2.8
- E-mount Lens/full-frame Format
- Aperture range: f/2.8 to f/22
- Distagon optical design
- Four aspherical elements
- Seven special glass elements
19. Rokinon 14mm f/2.8 ED AS IF UMC
- Ultra-wide angle of view on both full frame and APS-C cameras.Lens has a minimum focusing distance of 0.9' (28 cm) for enhanced close-up shots.
- Excellent construction and superior build quality for razor sharp images. Sagittal lines (thick lines) represent the contrast
- Features built-in petal type hood, Focal Length :14mm
- Lens has a minimum focusing distance of 0.9' (28 cm) for enhanced close-up shots, Lens not zoomable. No autofocus.
- Super multi-layer coating to reduce flares and ghost images
20. Sony Carl Zeiss 24mm F/1.8
- Employs the legendary "Sonnar" optical design for standout image dimensionality and presence
- Seven aperture blades form a near circle, which results in a pleasing defocused effect on the background of your image when the aperture is set wide open
- Allows for 1/4 macro shooting with accurate focus as close as 6.2 inches (16cm)
- Direct Manual Focus (DMF) allows for direct manual focusing after autofocus lock-on without having to switch modes
- Lens operation is fast but at the same time smooth and quiet, minimizing noise and image jitter when shooting movies
Best Standard Zoom Lenses for Sony A6500
21. Sony Vario-Tessar T* E 16-70mm f/4 ZA OSS
- Carl Zeiss mid-range zoom lens; Compatible with E-mount Full Frame cameras and E-mount APS-C cameras
- Minimum Focus Distance : 1.15 ft (0.35 m), Maximum Magnification ratio : 0.23x, Focal Length : 16-70 mm
- High lens technology in a compact body. Filter Diameter (mm) - 55 mm
- Optical Steady Shot image stabilization. Zeiss T anti-reflective coating
- When using a flash, always remove the lens hood and shoot at least 1 m (3.3 feet) away from your subject.Angle of View (APS-C):83°-23°
22. Sony E PZ 18-105mm f/4 G OSS
- High performance E mount lens with excellent contrast; Minimum Aperture (F): 22
- Minimum Focus Distance : 1.48 (Wide) 3.12 ft (Tele), Maximum Magnification ratio : 0.11x, Focal Length : 18 105 mm
- Versatile 27 158mm (35mm equiv.) zoom range. Angle of view (APS C): 76° 15°. Number of aperture blades are 7
- Constant F4 maximum aperture throughout the zoom range. Filter diameter (mm):72 mm
- It is recommended that you use a lens hood to reduce flare and ensure maximum image quality.Focal Length (mm) 11/16 4 1/8 35 mm equivalent focal length (APS C) 1 1/16 6 3/16 inches
23. Sony 16-50mm f/3.5-5.6 OSS
- POWER ZOOM for smooth zooming with superb operability and quietness
- ED glass and Aspherical lens elements for excellent performance with reduced aberrations
- Built-in image stabilization
- This lens is designed for Sony α camera system E-mount cameras. You cannot use it on A-mount cameras
- Minimum focus distance - 0.25–0.3 m (0.82-1 ft)
The Sony a6500 may be the latest camera in the APS-C E-mount series, packing all of the most advanced features the machine has to offer like a 24MP sensor, a sophisticated hybrid AF system, 5-axis sensor stabilization, 4K video, an impression sensitive screen, an integral EVF, and much more.
As any E-mount consumer knows all as well, selecting lenses for a Sony APS-C camera just like the new a6500 isn’t a simple task. The first issue is that while a small number of fast primes do can be found, most lenses for the APS-C system tend to zoom with a slow aperture range. To make matters even worse, there hasn’t been a fresh lens designed specifically for the APS-C program in over 3 years despite Sony has released several APS-C cameras for the reason that time.
You could argue that the very best solution is by using full-frame E-mount lenses designed for the Sony FE range rather, but barring a few exceptions, many of these lenses tend to be considered a) too big for an APS-C sized body, and b) very costly.
Whichever way you consider it, Sony APS-C users own it tougher than users of other systems!
In this post, we aim to get rid of the confusion surrounding the decision of E-mount lenses for the Sony a6500. To create it as straightforward as feasible, we’ve organized the lenses according to the photographic genre and included both high-end and affordable choices to support all budgets. Because the camera includes sensor stabilization – an initial for an APS-C model – we are which includes lenses both with and without optical stabilization.
Sony’s a6500 mirrorless camera is among the best mirrorless cameras available right now. To ensure that photographers to make sure that they can make the best use of the lens’ capabilities, they have to set the camera body with a high-quality, able lens.
We’ve narrowed Sony’s suite of mirrorless Electronic mount lenses right down to our best 6, covering topics like travel, macro, portraiture, and general photography. These list targets lenses that are high-performance, inexpensive and high-value, concentrating on equipment that’s accessible to an array of photographers.
What Type of Lenses Use the Sony a6500?
Sony produces two primary types of the lens because of its ‘E-mount’ mirrorless camera bodies – ‘FE’ and ‘E’ lenses. Confusingly, ‘E-mount’ identifies the Sony mirrorless mount itself. There’s also the A-mount, which can be for the Sony exclusive Translucent Mirror type camera bodies.
If you visit a Sony lens that has an ‘E” (instead of an ‘FE’), which means that it’s been created for their APS-C sensor selection of mirrorless bodies – the Sony Alpha a6500, and additional a6xxx cameras.
Sony ‘FE’ lenses, however, cover the complete 35mm frame of a full-frame camera, and therefore, can be used on all Sony mirrorless digital cameras, even the Sony a6500 (albeit at a 1.5* focal length multiplication).
Unless you’re likely to upgrade to a complete frame Sony body soon or simply already own one particular and wish to talk about lenses, it’s generally advisable to benefit from lenses made designed for the APS-C sensor (i.e. Sony ‘Electronic’ lenses).