The Panasonic Lumix GX800 / GX850 is a mirrorless entry-level camera targeted at upgrading a compact or phone camera. It features a 16 Megapixel Micro Four Thirds sensor, interchangeable lenses, Full HD or 4k video recording capabilities, built-in Wifi, and a touchscreen that flips up 180 degrees for selfies or vlogging, and the GX800 / GX850 boasts Panasonic’s collection of cunning 4k picture modes that allow you to capture 8 Megapixel stills at 30fps and refocus photos after the case, like all recent Lumix cameras.
There is no electronic viewfinder on the downside, and it’s a bit odd to use smaller Micro SD cards. More specifically, if you are unlikely ever to fit a different lens from the zoom pack, you might appreciate comparable quality and features with 1-in sensors from one of the many luxury compacts available – such as the own LX10 / LX15 from Panasonic – and these would also cram into a pocket easier. But at some point, if you choose to change lenses, the Lumix GX800 / GX850 reflects one of the most competitive entry points and is recommended.
1. Panasonic 42.5mm f/1.7 Portraits Lens
Great Portraits Lens! This Panasonic 42.5mm f/1.7 is an 85mm-equivalent lens equipped for the Micro Four Thirds system of mirrorless cameras. One aspherical feature inside the optical architecture is integrated, which helps to monitor spherical aberrations and distortions for better sharpness and precise rendering. For more spectacular, imaginative shots, the bright large F1.7 opening draws in a lot of light and creates a stunning bokeh backdrop defocus effect. The rounded seven-blade diaphragm, further cementing its position as a flexible portrait tool, creates a smooth out-of-focus quality when producing field photos and movies at a shallow depth. A fast stepping AF motor and internal focus architecture, which provides smooth, silent, and sensitive focusing output for intuitive handling, complements the optical attributes. The POWER O.I.S. (Optical Image Stabilizer) also benefits portable use by compensating for smoother imagery for the effect of camera shake.
2. Olympus 45mm f/1.8
The Olympus M.Zuiko Optical 45mm f/1.8, designed as the ultimate portrait prime, is a sleek 90mm comparable lens for mirrorless Micro Four Thirds cameras. The smooth, quiet autofocus is central to the elegance of the Olympus 45mm F/1.8, providing plenty of focusing ability without needing to continuously make your own portrait changes. To gain from operating in low-light settings, the short-telephoto focal length pairs with a bright f/1.8 maximum aperture and also provides better power over field depth for creating selective focus results. Two extra-high refractive index components are used in the optical structure of the lens, which help to minimize distortion and spherical aberrations in order to realize notable sharpness and precise rendering. In addition, an autofocus system for Movie & Still Compatible (MSC) is used to provide fast, quiet and reliable focusing output to accommodate both video and picture applications.
3. Olympus 75mm f/1.8
Ideal for portraits and tough lighting conditions. The Olympus M.Zuiko Digital ED 75mm f/1.8 lens is ideal for studio portraits, theater stage and indoor sports shooting, with a 35mm equivalent focal length of 150mm. The vivid f/1.8 maximum aperture, combined with the scope and optical compression of the focal length, requires considerable control over field depth to make this lens suitable for portraiture applications. In order to minimize a number of aberrations and color fringing for sharp, transparent, and color correct imagery, the optical architecture combines three extra-low dispersion elements and two high refractive index elements. To remove surface reflections and flare for better contrast and color accuracy in a range of lighting environments, a ZERO coating has also been added to individual components. In addition, an autofocus system for Movie & Still Compatible (MSC) is used to provide fast, quiet and reliable focusing output to accommodate both video and picture applications.
4. Olympus 45mm f/1.2 Pro
The Olympus 45mm f/1.2 Pro combines the desirable 90mm-equivalent focal length with an ultra fast f/1.2 maximum aperture, an excellent portrait-length lens for Micro Four Thirds shooters. At f1.2, you can film wide open and catch tack sharp subjects with a representational three-dimensional result and smooth feathered bokeh. The combination of a somewhat narrow field of view and a bright aperture allows separate shallow depth of field photography to be created and is also ideal for operating under challenging lighting conditions. Beautiful bokeh in the background and a fine portrait lens. The 45mm f/1.8 edition, if you can’t afford it, is also a very fast, very light portrait lens that is small in size and inexpensive.
5. Olympus 60mm f/2.8 Macro Lens
Best Olympus macro-photography lens! The high-quality dust and splash-proof Olympus M.Zuiko 60mm f/2.8 ED Macro Lens is designed for sharp close-up photography and offers a 120mm equivalent focal length, providing a life-size 1:1 maximum magnification along with a minimum focusing distance of 7.5′′ to suit working with close-up subjects. The lens barrel also has an indicator window with scales to operate at 1:1.3, 1:2, and 1:4 magnifications, and a Focus Limit Adjustment may also be used by limiting the focusing mechanism for quicker, more reliable AF to help promote operating at near or distant range. A Video & Still Compatible framework is also used to support concentrate output to provide fast, quiet, and smooth AF that is suitable for both picture and movie applications. Moreover for excellent low-light performance and innovative design, the Olympus 60mm f/2.8 Macro boasts an exceptionally bright f2.8 maximum aperture using no fewer than 13 different lens components in 10 sections, including certain high-end glass materials, to help remove chromatic aberrations.
6. Panasonic Leica 45mm f/2.8 Macro
Best Panasonic macro photography lens! The Panasonic Leica DG Macro-Elmarit 45mm F2.8 (90mm equivalent) is incredibly compact and lightweight and is a very desirable small lens, and its small size ideally captures the format’s style. As a macro lens, for life-size rendering, a maximum magnification of 1:1 is possible, along with a minimum focusing distance of 5.9″ for dealing with close-up objects. The Super Optical Image Stabilizer (O.I.S.) from Panasonic suppresses the blurring normally caused by hand-shake, making it possible to take sharply-focused macro shots and without the need for a tripod in dimly-lit locations.
7. Panasonic 30mm f/2.8 Macro
The Panasonic 30mm f/2.8 Macro lens (60mm-equivalent) is designed for close-up photography and allows for a minimal focusing distance of 4.1′′ together with a magnification ratio of 1:1 for life-size photographs of surrounding topics. One aspherical feature helps to monitor spherical aberrations and distortions and for improved contrast and color fidelity, a multi-layer coating eliminates ghosting and lens flare. This lightweight lens delivers outstanding results in shooting from casual macro images, such as flowers or food, to spectacular portraits, taking advantage of the life-size magnification capabilities and wide depth of field. The lens also features a Super O.I.S. device in addition to the optical output, which compensates for the impact of camera shake for sharper hand-held shooting.
8. Olympus 12-200mm f/3.5-6.3 All-in-one Zoom Lens
The Olympus M.Zuiko Digital ED 12-200mm f/3.5-6.3 lens has the longest zoom length of any mirrorless interchangeable lens (equivalent to 24-400mm), although its splashproof, dustproof nature makes it one of the most powerful lenses available today. The 35mm counterpart 24 to 400mm focal length takes you from wide-angle to super-telephoto, delivering excellent image clarity and unrivaled durability of the lens. The lens is also distinguished by its compact shape ratio, close to 8.7″ minimum focusing distance, and advanced optical architecture, considering its long range, which requires a number of aspherical, low dispersion, and high refractive index components to create well-corrected images. In order to help minimize lens flare and ghosting for better contrast and color fidelity when operating in heavy lighting conditions, a ZERO coating has also been applied. In addition, this lens uses a compatible AF device from Movie & Stills to achieve smooth, quick, and near-silent focusing output to support both picture and movie apps. From vast landscapes and art to nature and sports, no matter where you go, this lens has you covered.
9. Olympus 14-150mm f/4-5.6 II
This Olympus M.Zuiko Digital ED 14-150mm f/4-5.6 II lens is an incredibly flexible all-in-one zoom lens for photographing in almost any situation, offering a 28-300mm equivalent focal length range. The lens stays lightweight for simple portability despite its reach, and it uses a sophisticated optical architecture, consisting of numerous aspherical, low dispersion, and high refractive index glass components, to minimize aberrations and distortion for high sharpness, transparency, and consistency of color. In order to suppress flare and ghosting for better contrast when operating in strong lighting environments, a ZERO coating has also been added. In addition, this 14-150mm lens also features a fast and quiet Movie & Still Compatible (MSC) AF system with a weather-resistant design to work in adverse weather conditions. This single high-magnification 10.7x zoom lens is suitable for taking close-ups of the faces of children, shooting indoors and outdoors, and a wide range of subjects.
10. Olympus 17mm f/1.8 Wide-angle Prime Lenses
Superb lens. A very bright, quick lens, this Olympus M.ZUIKO 17mm f/1.8 lens is suitable for casual photography, street photography, as well as high-quality, dramatic landscapes and portraits. In order to benefit from working in challenging lighting environments, the wide field of view pairs with the bright f/1.8 maximum aperture, and it also provides improved flexibility over field depth when working with selective focusing techniques. For improved sharpness and transparency, the optical architecture allows use of aspherical and high refractive index glass components to monitor spherical aberrations and distortion within the aperture range. In addition, to provide fast and quiet focusing output, a Movie & Still Compatible (MSC) autofocus system is used and a manual focus clutch can be used for more intuitive adjustment and control over focus. The 17mm wide-angle is the ideal addition to your kit, if your favorite subjects be friends and family, panoramic landscapes, unique architecture or both of these and more.
11. Panasonic Leica 15mm f/1.7
An exceptional wide-angle lens with a super-wide candid aperture for low-light shooting. The Panasonic Leica 15mm f/1.7 lens, swift and compact, provides a 30mm comparable focal length for mirrorless Micro Four Thirds cameras, making it suitable for regular shooting applications. Working in low-light settings, the fast f/1.7 maximum aperture gains and also provides better control over the focus position for shallow field depth and selective focus techniques. An internal focusing system with a stepping AF motor promotes fast, quiet, and smooth output with respect to focus. For smoother imagery and greater overall visibility, the optical architecture integrates three aspherical components to minimize distortion and spherical aberration. In addition, a Nano Surface Coating for more contrast-rich, color-neutral images and movies was added to lens components to suppress lens flare and ghosting.
12. Olympus 12mm f/2 Lens
The Olympus 12mm f/2 wide-angle lens, providing a 24mm comparable focal length, is suitable for capturing anything from spectacular landscapes in low-light environments to hard-to-get, casual street shots. To gain from available light shooting as well as astrophotography applications, the wide focal length pairs with the bright f/2 maximum aperture. In addition, for fast and quiet performance, the lens is characterized by its Movie & Still Compatible autofocus system, as well as a manual focus clutch and Snapshot Focus mode for intuitive control over focus location and field depth. The mechanism for Movie-Still-Compatible (MSC) uses almost “silent” focusing technology. It is perfect for monitoring a running child or pet, and provides movies and still photographs with a fast and silent focus mechanism.
13. Rokinon 12mm f/2.0 NCS CS
This Rokinon 12mm f/2.0 lens is well-suited for architectural, indoor, and landscape pictures, offering a 35mm-equivalent focal length of 24mm and a wide 83 ° angle of view. For operating in low-light environments, its quick f/2.0 maximum aperture is further advantageous. In order to generate clearer images, three extra-low dispersion elements and two aspherical elements have been integrated into the optical architecture to eliminate chromatic aberrations and distortion. Additionally, in order to minimize surface reflections and avoid lens flare and ghosting for better light transmission and more contrast-rich photography, a Nano Coating Solution (NCS) has been added to the lens components. This Rokinon 12mm 1:2.0 NCS CS is a great lens for landscape photography and can be beneficial for astrophotography or interior and architectural photography. A reversible lens hood and a 67 mm filter mount come with the package.
14. Panasonic 7-14mm f/4 ASPH Wide-angle Zoom Lenses
The Panasonic Lumix 7-14mm f/4 lens is well-suited for landscape, wildlife, and architectural applications covering a useful range of 14-28mm comparable broad-angle focal lengths, and the wide field of view is complemented by a constant f/4 maximum aperture for clear illumination across the zoom range. The Panasonic Lumix 7-14mm f/4 lens, remarkably compact and lightweight, enables the integrated contrast AF system to be used and features fast, quiet autofocus as well as accurate manual focus capabilities. For noteworthy sharpness, transparency, and color precision, the optical architecture uses low dispersion and aspherical glass components to control a number of aberrations and color fringing, and individual elements are often multi-coated to control flare and ghosting for enhanced contrast. Recommended for landscape or travel photographers searching for ultra-wide zooms that are highly compact.
15. Olympus 9-18mm f/4-5.6
This Olympus 9-18mm f/4-5.6 super-wide-angle lens (18-36mm equivalent focal length range) is incredibly compact and lightweight and delivers impressive image quality plus easy and quiet autofocus, in a small box that easily makes it the smallest lens of its size. In order to realize a sleek form factor while maintaining consistent sharpness and lighting throughout the zoom range, the advanced optical design pairs with a retractable lens design. Spherical aberrations and distortion for notable sharpness and resolution are controlled by two Dual Super Aspherical elements, one aspherical element and a high refractive index element, and one extra-low dispersion element reduces chromatic aberrations for high clarity and color accuracy across the zoom range. The lens is also characterized by its fast, quiet, and smooth Move & Still Compatible autofocus system to accommodate both photo and video shooting applications. Suggested for photographers who are searching for the smallest available kit for ultra-wide-angle capabilities. And for landscapes/cityscapes/architecture, it is also the budget choice.
16. Panasonic Leica 8-18mm f/2.8-4 ASPH
This Panasonic Leica 8-18mm f/2.8-4 ASPH wide angle (16-36mm equivalent) is designed to shine even under unfavorable weather conditions and blends nimble versatility with legendary LEICA Lens performance. The corner-to-corner transparency of this LEICA DG lens communicates every detail, including in low light, from ultra-wide-angle 8 mm landscapes through 18 mm in close-in spaces (F2.8-4.0). This lens, developed in partnership with Leica, uses a collection of low dispersion and aspherical components to produce sharp and transparent images with controlled fringing and aberrations, and a Nano Surface Coating also helps to reduce flare and ghosting for improved contrast and color precision. The rugged metal lens body is spray, dust and freeze safe for use in harsh environmental environments, and in a range of working scenarios, a smooth 240 fps autofocus drive suits both photo and video shooting. And in both images and recordings, it accommodates 67mm filters for greater imagination.
17. Olympus 7-14mm f/2.8 PRO
Highly recommended! Are you looking for an unrivalled combination of speed, brightness, versatility, solid standard of construction and superior optical performance? Look at the latest 7-14mm f/2.8 PRO M.ZUIKO ED ultra-wide angle zoom lens! This lens is compact, lightweight, weatherproof and portable, so that you can take it anywhere. The Olympus 7-14mm f/2.8 PRO is the top ultra wide-angle zoom lens for Micro Four Thirds for photographers and professionals, and it is an excellent lens for landscapes/cityscapes/architecture. And you’ll see more of the scene with an ultra-wide angle of view and a vivid f2.8 maximum aperture, from sweeping daytime panoramas to powerful, super-sharp night scenes.
18. Panasonic Leica 25mm f/1.4 II Standard Prime Lens
Thanks to its clean optical sharpness and the unusual soft-focusing backdrop effect, this Panasonic Leica 25mm f/1.4 II 50mm lens equivalent focal length is a must-have for any Four Thirds mirrorless photographer. Under challenging low light conditions, the F1.4 aperture allows for super bright light selection, while the Panasonic Nano Surface Coating almost prevents typical ghosting and flaring that can be accompanied by wide open aperture imaging. Together with an internal focus design, a stepping autofocus motor leads to rapid and quiet focusing output for both photo and video applications. In addition, this lens features a dust- and splash-resistant build to benefit from operating in poor environments. A “general purpose” lens at a decent price of excellent accuracy.
19. Olympus 25mm f/1.8
Slightly slower than the 25mm of Panasonic, but also very sharp and still quite a bit cheaper. For taking beautiful pictures both day and night, the M.Zuiko 25mm f1.8 is your best all-around lens. This lens fits right between the wide and telephoto style, with a 25 mm focal length and a 47 degree angle of view. Its quick f1.8 circular aperture, suitable for portraits, offers beautifully soft defocused backgrounds. And when illumination is less than ideal, it also provides excellent information, which ensures that in certain low-light conditions you can bypass the spotlight. The more affordable 25mm prime lens of Olympus can suit the bill unless you need a broader aperture.
20. Panasonic 20mm f/1.7 II
Great value! A small and lightweight “pancake” lens with excellent brightness, the Panasonic Lumix 20mm f/1.7 II is one of the most common Mirco Four Thirds lenses on the market. This Panasonic 20mm f/1.7 II, weighing only 3.5 ounces, offers amazing sharpness, bokeh, and low light performance. Despite its F1.7 aperture, it boasts dramatic compactness and light weight that makes for beautiful soft focus in the background, helping the subject to stand out impressively. For high sharpness and detailed rendering, the optical architecture uses a pair of aspherical elements to eliminate spherical aberrations and distortion, and individual elements have also been multi-coated to monitor surface reflections and flare in intense lighting conditions for better contrast. Suitable for a wide range of images, including everyday and street photography, including settings such as sunsets and interior shots that are dimly lit.
21. Voigtlander Nokton 25mm f/0.95 II
The quickest 4/3-mount Micro lens ever made! A totally manual lens that is shaped like a tank and almost 2 times faster than the lens of the Olympus. The Voigtlander Nokton 25mm f/0.95 Type II Lens for Micro Four Thirds is a bright, fast normal-length lens that, when used on Micro Four Thirds Cameras, offers a 35mm equivalent focal length of 50mm. A Selective Aperture Control Mechanism is used with this manual focus, manual exposure prime lens, which allows switching between a stepless, de-clicked aperture selection process or a conventional click stop aperture control method. Silent and smooth exposure changes may be made when set to the stepless setup, which are highly useful when capturing footage. Ultra-high refractive glass is used in the optical design, which helps to reduce chromatic aberrations and create imagery of exceptional transparency and sharpness. In 8 groups, the lens formula has 11 elements. For the wide-open shooter, 10 aperture blades create an incredibly smooth bokeh. All about it shouts consistency, the feeling, the smoothness of service.
22. Olympus 12-45mm f/4 PRO Standard Zoom Lens
The smallest and lightest edition worldwide (254 g). A seamless all-around lens. The M.Zuiko Digital ED 12-45mm F4.0 PRO is the most compact, lightweight medium-range zoom PRO lens in the world with a fixed aperture value spanning a wide-angle 24mm to 90mm telephoto focal length (35mm equivalent). It consists of almost 190 precision machined parts all placed in a dense configuration, resulting in a 63.4 mm./2.5 in. scale. (Diameter maximum) x 70 mm/2.76 in. (overall length) and nearly 254 g/8.96 oz in weight. For capturing any subject, this compact and lightweight lens provides high-speed, accurate autofocus. This lens strikes a balance between a vibrant design and a highly lightweight design to suit its use in everyday settings, characterized by its f/4 constant maximum aperture. Its dustproof and splashproof structure involves sealing to hold dust and rain out in nine locations, ensuring peace of mind when shooting in active scenarios. Achieve high-resolution edge-to-edge sharpness that operates with our blazing-fast autofocus device at all focal lengths and high-speed aiming. It goes anywhere and takes everything from landscapes and cityscapes to portrait shots.
23. Panasonic 12-35mm f/2.8 II
This recently refreshed Panasonic 12-35mm f/2.8 II offers a comfortable 24-70mm comparable focal length range for Micro Four Thirds cameras, a flexible zoom spanning wide-angle and portrait-length viewpoints. A steady f/2.8 maximum aperture ensures consistent output in the zoom range, operates in demanding lighting conditions and gives greater control over field depth. A number of aspherical, low dispersion, and high refractive index glass components are used in the advanced optical design to monitor a spectrum of aberrations and distortions for sharp, clean image clarity, and a Nano Surface Coating has also been added to minimize ghosting and flare. To suit portable shooting, a POWER Optical Image Stabilizer minimizes the appearance of camera shaking, and this O.I.S. device is also compliant with Dual I.S. For improved efficiency in stabilization. Not just suitable for shooting scenery while driving, the large diameter of this lens also gives you top-quality indoor shots. The features are introduced through perceptive and defocusing effects, bringing you just the kind of images and videos you are searching for. Its splash/dust/freezeproof nature also makes it ideal for outdoor photography, so you can use it with a splash/dust/freezeproof LUMIX camera and be imaginative in virtually any weather.
24. Olympus 12-40mm f/2.8 Pro
Highly recommended! Superior versatility and one of the Olympus cameras’ finest regular zoom lenses. With a wide-angle focal length to capture landscapes, buildings or nature scenes, this Olympus 12-40mm f/2.8 Pro lens (24-80mm equivalent) boasts a super quick fixed f/2.8 aperture for great portraits at 40mm. Its innovative optical architecture, which involves a variety of aspherical, low dispersion, and high refractive index materials, eliminates both chromatic and spherical aberrations for exceptional transparency, sharpness, and color precision within the zoom range. A lens capable of handling everything, often all at once from night shooting to sports and action to weddings. The only drawback is that it’s a little expensive, but this is an excellent choice for you if you are seriously looking for a high-quality all-purpose lens that will meet 95 percent of your photography needs.
25. Panasonic Leica 12-60mm f/2.8-4
This 12-60mm Panasonic Leica lens offers a useful 24-120mm equivalent zoom range to capture stunning, mid-telephoto portraits from spectacular landscapes. This LEICA DG lens’s amazing resolution makes it transparent, from corner to corner. This powerful Panasonic Leica 12-60mm f/2.8-4 lens, developed in partnership with Leica, incorporates four aspherical elements and two extra-low dispersion elements to provide well-corrected, sharp image clarity that is devoid of color fringing and distortions. For fast, quiet, and reliable autofocus output, the lens often uses a linear motor, and the POWER Optical Image Stabilizer system helps to minimize the appearance of camera shake for sharper handheld shooting. In addition, the lens’s rugged metal frame makes it spray, dust, and freezeproof to suit its use in challenging environmental circumstances.
26. Panasonic 45-200mm f/4-5.6 II Telephoto Zoom Lens
This Panasonic 45-200mm f/4-5.6 II has a 90-400mm comparable focal length range for Micro Four Thirds mirrorless cameras, covering a remarkable range of telephoto focal lengths. This telephoto zoom lens is easy to use in any way, and a must-have for your gear. A advanced optical architecture that incorporates three extra-low dispersion components to decrease color fringing and chromatic aberrations for considerable visibility and sharpness benefits the scope of the lens. An apt POWER Optical Image Stabilizer system complements the optical output, which minimizes the appearance of camera shake and is also compliant with Dual I.S. For better stabilisation during stills or video recording. For fast and quiet focusing results, a linear autofocus motor is also featured, and the lens sports a splash and dustproof physical construction to suit operating in harsh climates.
27. Panasonic 100-300mm
The Panasonic Lumix G Vario 100-300mm f/4-5.6 II POWER O.I.S. Lens is a long-range telephoto zoom for Micro Four Thirds cameras, covering an equivalent range of 200-600mm, making it ideally suited for wildlife, nature, and sports photography. And for modern interchangeable camera enthusiasts, this new Lumix 100-300mm f/4-5.6 II lens offers a no-compromise solution to optical consistency and has been upgraded with a splashproof and dustproof specification for the outdoors. To minimize color fringing across the zoom range, as well as to provide enhanced visibility and color accuracy, the optical design includes one extra-low dispersion feature. The lens also contains a fast, silent, and reliable linear autofocus motor, as well as a POWER Optical Image Stabilizer that supports the Dual I.S. Role in Lumix Cameras range. In addition, the lens also features a splash and dustproof system for use in environmental environments that are tough.
28. Olympus 40-150mm f/2.8 PRO
The Olympus 40-150mm f2.8 Pro is a fast-constant f/2.8 aperture professional grade telephoto zoom lens. The Olympus 40-150mm f/2.8 PRO is suitable for portraiture and street photography with an equal coverage of 80-300mm, along with local sports and wildlife. It provides fast, quiet autofocus and even at the maximum aperture, delivers very bright and high contrast images right into the corners. Thanks to a minimum focus distance of just 20 inches, which gives you the option of zooming in or zooming out to take stunning portraits and live action shots, it is great for wedding or event photography.
29. Panasonic 35-100mm f/2.8 II
This lens lets you gently blur the backdrop for portraits and close-ups with an ultra-long length of 35-100mm (35mm equivalent: 70-200mm) at a high-speed F2.8. And to freeze-frame fast-moving objects such as action and sports, it offers high shutter speeds. At the same time, the splash/dust/freezeproof nature still makes it rugged enough for outdoor photography, so you can go out with a splash/dust/freezeproof LUMIX camera and be creative in almost any conditions. Furthermore, compatibility with Power O.I.S. optical image stabilization with 5-Axis Dual I.S. 2.0 (Image Stabilization) across both video and still, you can film with unparalleled hand-held stability.
30. Panasonic Leica 100-400mm f/4-6.3 ASPH
A super-telephoto zoom lens of excellent quality and superb sharpness. The Panasonic Leica 100-400mm f/4-6.3 ASPH lens has a longer range than any other native lens in the collection and makes it suitable for wildlife and sports shooters, with an equal range of 200-800mm. A 240 fps high-speed AF motor is both quiet and accurate, benefiting from both still shooting and video capture, and a focus limiter feature can be used to narrow the focusing range for even faster performance. And although its lightweight compact form factor is suitable for handheld shooting, when operating atop a monopod or tripod, the 100-400mm f/4-6.3 also features an integral revolving tripod collar for fast switching between horizontal and vertical shooting orientations.